麦考瑞代写essay:伊丽莎白复仇悲剧

2017-04-21 13:19

伊丽莎白复仇悲剧，这是一个最好的例子，不能容纳的悲剧需要英雄的死亡为了解决经典语录。哈罗德·布鲁姆认为，在哈姆雷特，复仇情节是重新制定的秋天和加强基督教价值体系，决定持续的后果，人的原罪。哈姆雷特的内部斗争，以报复他的母亲和叔叔的谋杀和流离失所的Hamlet的父亲国王，因此，也是试图解决原来的侵犯。接近比赛的倒数第二个场景，在面对他的敌人和哈姆雷特制定报复他们感知的罪恶，他承认他是执行神的惩罚。Harold Fisch将与他的父亲被谋杀和以色列人与Jehovah所立的约，在出埃及记鬼哈姆雷特的最初遇到的相似之处。哈姆雷特显然是遵守神的诫命来纪念父亲时，他说“你的命都独自生活在这本书和我的大脑体积，/不卑劣的事。”[ 14 ]（哈姆雷特1.5.102-4）。菲什看到这样的场景作为古典复仇悲剧体裁的并置，以“自我发现”，Hamlet是“背着包袱的人航行，得救后的找球手。”[ 15 ]寻求个人救赎哈姆雷特他对家庭和对他和他的家庭的宝座犯罪，但它是一个救赎，他最终没有收到，因为玩的结论与年轻的弗丁布拉斯迈向命运多舛的赫尔辛格在分辨率更大的宇宙秩序。哈姆雷特代表了在基督教基础上的公共利益的个人牺牲。
麦考瑞代写essay:伊丽莎白复仇悲剧
Elizabethan revenge tragedy, of which Hamlet is a prime example, cannot accommodate the classical dictums of tragedy which demands the hero’s death in order for resolution. Harold Bloom argues that in Hamlet, the revenge plot is the re-enactment of the Fall and the reinforcement of the Christian value system which dictates ongoing consequences for man’s original sin. Hamlet’s internal struggle to enact revenge on his mother and uncle for the murder and displacement of Hamlet’s father the king, therefore, is also an attempt to resolve the original trespass. Approaching the penultimate scene of the play, in which Hamlet confronts his enemies and enacts revenge for their perceived sins, he recognises that he is enacting divine retribution. Harold Fisch draws parallels between Hamlet’s initial encounter with the ghost of his murdered father and the Israelites’ covenant with Jehovah in the book of Exodus. Hamlet is clearly obeying the commandment to honour one’s father when he asserts “thy commandment all alone shall live / Within the book and volume of my brain, / Unmixed with baser matter.”[14] (Hamlet 1.5.102-4). Fisch sees such scenes as an juxtaposition of the genre of classical revenge tragedies, with a “voyage of self-discovery” in which Hamlet is “the man with a burden on his back, a seeker after salvation.”[15] Hamlet seeks a personal redemption for his family and the sins committed against him and his family’s throne, but it is a redemption which he ultimately does not receive, as the play concludes with the young Fortinbras marching towards the ill-fated Elsinore in a resolution of the larger cosmic order. Hamlet represents the personal sacrifice for the communal good which lies at the foundation of Christianity.